Michael Jackson was unquestionably the biggest pop star of the '80s,
and certainly one of the most popular recording artists of all time. In
his prime, Jackson was an unstoppable juggernaut, possessed of all the
tools to dominate the charts seemingly at will: an instantly
identifiable voice, eye-popping dance moves, stunning musical
versatility, and loads of sheer star power. His 1982 blockbuster
Thriller became the biggest-selling album of all time (probably his
best-known accomplishment), and he was the first black artist to find
stardom on MTV, breaking down innumerable boundaries both for his race
and for music video as an art form. Yet as Jackson's career began, very
gradually, to descend from the dizzying heights of his peak years, most
of the media's attention focused on his increasingly bizarre
eccentricities; he was often depicted as a man-child in a state of
arrested development, completely sheltered from adult reality by a life
spent in show business. The snickering turned to scandal in 1993, when
Jackson was accused of molesting a 13-year-old boy; although he
categorically denied the charges, his out-of-court settlement failed to
restore his tarnished image. He never quite escaped the stigma of those
allegations, and while he continued to sell records at superstar-like
levels, he didn't release them with enough frequency (or, many critics
thought, inspiration) to once again become better known for his music
than his private life. Whether as a pop icon or a tabloid caricature,
Jackson always remained bigger than life.
Michael Joseph Jackson was born August 29, 1958, in Gary, IN. The fifth son of steelworker
Joe Jackson,
Michael displayed a talent for music and dance from an extremely young
age. His childhood was strictly regimented; from the start he was, to an
extent, sheltered from the outside world by his mother's Jehovah's
Witness faith, and his father was by all accounts an often ill-tempered
disciplinarian.
Joe
began to organize a family musical group around his three eldest sons
in 1962, and Michael joined them the following year, quickly
establishing himself as a dynamic stage performer. His dead-on mastery
of
James Brown's
dance moves and soulful, mature-beyond-his-years vocals made him a
natural focal point, especially given his incredibly young age. Dubbed
the Jackson 5,
the group signed to Motown in 1968 and issued their debut single in
October 1969, when Michael was just 11 years old. "I Want You Back,"
"ABC," "The Love You Save," and "I'll Be There" all hit number one in
1970, making
the Jackson 5
the first group in pop history to have their first four singles top the
charts. Motown began priming Michael for a solo career in 1971, and his
first single, "Got to Be There," was issued toward the end of the year;
it hit the Top Five, as did the follow-up, a cover of
Bobby Day's
"Rockin' Robin." Later in 1972, Jackson had his first number one solo
single, "Ben," the title song from a children's thriller about a young
boy who befriends
Ben, the highly intelligent leader of a gang of
homicidal rats. Given the subject matter, the song was surprisingly
sincere and sentimental, and even earned an Oscar nomination. However,
the momentum of Jackson's solo career (much like that of
the Jackson 5) soon stalled. He released his fourth and final album on Motown in 1975, and the following year, he and his brothers (save
Jermaine) signed to Epic and became
the Jacksons.
In 1977, Jackson landed a starring role alongside
Diana Ross in the all-black film musical
The Wiz, a retelling of
The Wizard of Oz; here he met producer/composer
Quincy Jones for the first time. Encouraged by the success of
the Jacksons'
self-produced, mostly self-written 1978 album Destiny, Jackson elected
to resume his solo career when his management contract with his father
expired shortly thereafter. With
Jones
producing, Jackson recorded his first solo album as an adult, Off the
Wall. An immaculately crafted set of funky disco-pop, smooth soul, and
lush, sentimental pop ballads, Off the Wall made Jackson a star all over
again. It produced four Top Ten singles, including the number one hits
"Don't Stop 'Til You Get Enough" and "Rock with You," and went platinum
(it went on to sell over seven million copies); even so, Jackson
remained loyal to his brothers and stayed with the group.
No group could have contained Jackson's rapidly rising star for
long; however, there was still no sign (if there ever could be) that his
next album would become the biggest in history. Released in 1982, the
Quincy Jones-produced
Thriller refined the strengths of Off the Wall; the dance and rock
tracks were more driving, the pop tunes and ballads softer and more
soulful, and all of it was recognizably Michael. Jackson brought in
Paul McCartney for a duet, guitarist
Eddie Van Halen for a jaw-dropping solo, and
Vincent Price
for a creepy recitation. It was no surprise that Thriller was a hit;
what was a surprise was its staying power. Jackson's duet with
McCartney, "The Girl Is Mine," was a natural single choice, and it peaked at number two; then "Billie Jean" and the
Van Halen
track "Beat It" both hit number one, for seven and three weeks,
respectively. Those latter two songs, as well as the future Top Five
title track, had one important feature in common: Jackson supported them
with elaborately conceived video clips that revolutionized the way
music videos were made. Jackson treated them as song-length movies with
structured narratives: "Billie Jean" set the song's tale of a paternity
suit in a nightmarish dream world where Jackson was a solitary,
sometimes invisible presence; the anti-gang-violence "Beat It" became an
homage to
West Side Story; and the ten-plus-minute clip for
"Thriller" (routinely selected as the best video of all time) featured
Jackson leading a dance troupe of rotting zombies, with loads of
horror-film makeup and effects. Having never really accepted black
artists in the past, MTV played the clips to death, garnering massive
publicity for Jackson and droves of viewers for the fledgling cable
network. Jackson sealed his own phenomenon by debuting his signature
"moonwalk" dance step on May 16, 1983, on Motown's televised 25th
anniversary special; though he didn't invent the moonwalk (as he himself
was quick to point out), it became as much of a Jackson signature as
his vocal hiccups or single white-sequined glove.
Showing no signs of slowing down, Thriller just kept spinning off
singles, including "Wanna Be Startin' Somethin'," the airy ballad "Human
Nature," and "P.Y.T. (Pretty Young Thing)"; in all, seven of its nine
tracks wound up in the Top Ten, obliterating conventional ideas of how
many singles could be released from an album before it ran its course.
Thriller stayed on the charts for over two years, spent 37
non-consecutive weeks at number one, and became the best-selling album
of all time; it went on to sell 29 million copies in the U.S. alone, and
around another 20 million overseas. Naturally, Jackson won a slew of
awards, including a record eight Grammys in one night, and snagged the
largest endorsement deal ever when he became a spokesman for Pepsi (he
would later be burned in an accident while filming a commercial). At the
end of 1983, Jackson was again on top of the singles charts, this time
as part of a second duet with
McCartney,
"Say Say Say." In 1984, Jackson rejoined his brothers one last time for
the album Victory, whose supporting tour was one of the biggest (and
priciest) of the year. The following year, he and
Lionel Richie co-wrote the anthemic "We Are the World" for the all-star famine-relief effort
USA for Africa; it became one of the fastest-selling singles ever.
Even at this early stage, wild rumors about Jackson's private life
were swirling. His shyness and reluctance to grant interviews
(ironically, due in part to his concerns about being misrepresented)
only encouraged more speculation. Some pointed to his soft-spoken, still
girlish voice as evidence that he'd undergone hormone treatments to
preserve the high, flexible range of his youth; stories were told about
Jackson sleeping in a hyperbaric chamber to slow the aging process, and
purchasing the skeleton of John Merrick, the Elephant Man (Jackson did
view the bones in the London Hospital, but did not buy them). Jackson
bought a large ranch in California which he dubbed Neverland, and filled
it with amusement park rides and animals (including the notorious pet
chimpanzee Bubbles), which only fueled the public's perception of him as
a somewhat bizarre eccentric obsessed with recapturing his childhood.
He also underwent cosmetic surgery several times, which led to
accusations from the black community that his gradually lightening skin
tone was the result of an intentional effort to become whiter; a few
years later, Jackson revealed that he had a disorder called vitiligo, in
which pigment disappears from the skin, leaving large white blotches
and making direct sunlight dangerous. One of the rumors that was
definitely true was that Jackson owned the rights to
the Beatles' catalog; in 1985, he acquired ATV Publishing, the firm that controlled all the
Lennon-
McCartney copyrights (among others), which wound up costing him his friendship with
McCartney.
During his long layoff between records, Jackson indulged his interest in film and video by working with George Lucas and
Francis Ford Coppola on the 3-D short film
Captain Eo.
The special-effects extravaganza was shown at the enormous widescreen
IMAX theaters in Disney's amusement parks for 12 years, beginning in
1986. Finally, Jackson re-entered the studio with
Quincy Jones
to begin the near-impossible task of crafting a follow-up to Thriller.
Bad was released to enormous public anticipation in 1987, and was
accompanied by equally enormous publicity. It debuted at number one, and
the first single, "I Just Can't Stop Loving You," with vocal
accompaniment by
Siedah Garrett,
also shot up the charts to number one. Like Thriller, Bad continued to
spin off singles for well over a year after its release, and became the
first album ever to produce five number one hits; the others were "Bad,"
"The Way You Make Me Feel," "Man in the Mirror," and "Dirty Diana."
Jackson supported the album with a lengthy world tour that featured a
typically spectacular, elaborate stage show; it became the
highest-grossing tour of all time. Although Jackson's success was still
staggering, there were faint undercurrents of disappointment, partly
because of the unparalleled phenomenon of Thriller (Bad "only" sold
eight million copies in American, along with at least double that number
overseas), and partly because the album itself didn't seem quite as
exuberant or uniformly consistent when compared to its predecessors.
Jackson took another long hiatus between albums, giving the media
little to focus on besides his numerous eccentricities; by this time,
the British tabloids delighted in calling him "Wacko Jacko," a name he
detested. When Jackson returned with a new album in late 1991, he'd come
up with a different moniker: "The King of Pop." Dangerous found Jackson
ending his collaboration with
Quincy Jones in an effort to update his sound; accordingly, many of the tracks were helmed by the groundbreaking new jack swing producer
Teddy Riley.
As expected, the album debuted at number one, and its lead single,
"Black or White," shot to the top as well. Jackson courted controversy
with the song's video, however; after the song itself ended, there was a
long dance sequence in which Jackson shouted, grabbed his crotch, and
smashed car windows in a bizarre display that seemed at odds with the
song's harmonious message. With the video given a high-profile,
prime-time network premiere, Jackson was criticized for the
inappropriate violence and the message it might send to his younger
fans. However, Jackson would not be the biggest story in popular music
for long. In early 1992,
Nirvana's
Nevermind symbolically knocked Dangerous out of the number one spot;
after the alternative rock revolution, the pop charts would never be
quite the same. Jackson scored several more hits off the album,
including the Top Tens "Remember the Time" and "In the Closet," but the
aggressive "Jam" and the saccharine "Heal the World" both performed
disappointingly.
Jackson had long preferred the company of children over other
adults, and befriended quite a few, inviting them to stay at his
Neverland Ranch and enjoy the massive playground he'd assembled over the
years. In 1993, Jackson was accused of molesting a 13-year-old boy
who'd become a frequent guest at Neverland. Predictably, there was a
tabloid feeding frenzy, and a mainstream media circus as well. In the
court of public opinion, the charges seemed all too plausible: Jackson
was near-universally perceived as a weirdo, and here was a handy
explanation for his heretofore asexual persona and distaste for adult
companions. Additionally, Jackson entered rehab for a short time,
seeking treatment for an addiction to pain killers. Investigations were
unsuccessful in turning up any other boys who echoed the allegations,
and Jackson countersued his accusers for attempting extortion; however,
in spite of the fact that no criminal charges were ever filed against
Jackson, he settled the boy's family's suit out of court in early 1995,
paying an estimated 18 to 20 million dollars. Many felt the settlement
was tantamount to an admission of guilt, and when Jackson married
Lisa Marie Presley
in 1994, the move was perceived as a desperate ploy to rehabilitate his
image; the marriage broke up just 19 months later, seemingly lending
credence to the charge.
In 1995, Jackson attempted to put the focus back on his music by
preparing HIStory: Past, Present and Future, Book 1, a two-CD set
featuring one disc of new material and one of his greatest hits. The
album debuted at number one, but the format backfired on Jackson: his
fans already owned the hits, and the new album simply wasn't strong
enough to offset the added cost of the extra disc for many more casual
listeners. There were some encouraging signs -- the lead single
"Scream," a duet with sister
Janet,
debuted at number five, setting a new American chart record that was
broken when the follow-up, "You Are Not Alone," became the first single
ever to enter the Billboard Hot 100 at number one. But on the whole,
HIStory was something of a disappointment. Additionally, Jackson
collapsed during rehearsals for an awards show later that year, and had
to be rushed to the hospital; what was more,
the Eagles'
Their Greatest Hits (1971-1975) was threatening to catch Thriller's
American sales record (it eventually did, and the two continued to run
neck and neck). There were signs that Jackson was grasping at his
self-proclaimed King of Pop status; the cover of HIStory depicted an
enormous statue of Jackson, and he performed at the 1996 BRIT Awards
dressed as a Messiah, with children and a rabbi surrounding him
worshipfully (
Pulp lead singer
Jarvis Cocker
stormed the stage to protest Jackson's hubris during the middle of the
song). The 1997 remix album Blood on the Dance Floor failed to even go
platinum, although remix albums historically don't perform nearly as
well as new material.
In late 1996, Jackson remarried, to nurse Debbie Rowe; over the next
two years, the couple had two children, son Prince Michael Jackson, Jr.
and daughter Paris Michael Katherine Jackson. However, Jackson and Rowe
divorced in late 1999. In 2001, Jackson was inducted into the Rock
& Roll Hall of Fame, and later held a massive concert at Madison
Square Garden celebrating the 30th anniversary of his first solo record.
Among many other celebrity guests, the show featured the first on-stage
reunion of
the Jacksons
since the Victory tour. In the wake of September 11, Jackson put
together an all-star charity benefit single, "What More Can I Give." His
new album, Invincible, was released late in the year, marking the first
time he'd issued a collection of entirely new material since Dangerous;
it found him working heavily with urban soul production wizard
Rodney Jerkins.
Invincible debuted at number one and quickly went double platinum;
however, its initial singles, "You Rock My World" and "Butterflies" had
rather disappointing showings on the charts, with the latter not even
reaching the Top Ten. To compound matters, the expensive "What More Can I
Give" single and video were canceled by Sony when executive producer
Marc Schaffel was revealed to have worked in pornography. Jackson's camp
tried to distance the singer from Schaffel, and the various
corporations that were attached to it (McDonalds, Sony) claimed they had
minimal involvement if any with the song. Sony and Jackson began a
press war in the summer of 2002, starting with Jackson's claims that the
label asked for 200 million dollars to pay them back for marketing
costs. Although they had spent 55 million on his disappointing comeback,
Sony released a statement saying that no such request had ever been
made. Jackson stewed for a few weeks before launching a press attack on
Sony Music chairman Tommy Mottola, calling him "devilish" and making
claims that he used racist language and held down black artists. Many
Sony artists, including
Mariah Carey and
Ricky Martin, defended Mottola, but Jackson and his family maintained that racism ended their professional relationship.
From that point on, Jackson's career took an extreme turn toward the bizarre, starting with MTV's annual Video Awards. When
Britney Spears
presented him with a birthday cake, an offhand remark about being the
artist of the millennium inspired a rambling Jackson to accept a
meaningless trophy (which everyone presenting on-stage received) as an
actual Artist of the Millennium award. Next came accusations from a
promotional company over his promises of a tour and several appearances
that he then canceled. Jackson arrived in court late, gave a drowsy
testimony, and inspired gasps when he removed a surgical mask to reveal
his nose had caved in from a botched cosmetic surgery. Only days later,
German fans were horrified when Jackson came to the balcony of his hotel
suite and briefly dangled his 11-month-old baby Prince Michael II
(nicknamed "Blanket" by Jackson) over the edge with one arm. Although he
apologized the next day, claiming he had gotten caught up in the
moment, this only did more to cement the King of Pop's public image as
an out-of-control millionaire. The year 2003 turned out not to be a good
one for Jackson: in November, his Neverland Ranch was extensively
searched by police, whereby he was subsequently arrested on charges of
child molestation. That same month the single-disc retrospective Number
Ones hit the stands with one new song, "One More Chance." A year later
-- nearly to the day -- the four-CD/one-DVD box set The Ultimate
Collection appeared with numerous rarities, including the original demo
for "We Are the World." In January 2005, his child molestation trial
began, and by May he was acquitted on all counts. Jackson soon relocated
to the Persian Gulf island of Bahrain and began working on new music,
including a charity single that would benefit victims of Hurricane
Katrina. The single never appeared, but the two-disc The Essential
Michael Jackson did, and in 2006 the strange box set Visionary was
released, featuring 20 DualDiscs replicating 20 big hit singles with
their videos included on the DVD side. In early 2007, it was announced
that a comeback album was planned for late in the year, but the album
never materialized.
In early 2009, Jackson announced an ambitious comeback, dubbed
This Is It,
including a series of ten concerts at O2 Arena in London. (After high
ticket sales, the number was later increased to 50.) He rehearsed
extensively in Los Angeles during the spring, but on the afternoon of
June 25, 2009, he was found unresponsive at his home. Jackson was rushed
to the UCLA Medical Center, where he was pronounced dead at the age of
50. His death was later ruled a homicide, the result of ingesting a
lethal amount of prescription drugs. Unsurprisingly, a slew of releases
ensued -- planned prior to and after Jackson's death -- including
Motown's Michael Jackson: The Remix Suite and a soundtrack for
Michael Jackson's This Is It
(a film based on Jackson's rehearsals for the comeback concerts).
Michael Jackson's Vision, a comprehensive DVD set, and Michael, a
collection of finished outtakes largely recorded in the years following
Invincible but also containing some songs dating back to Thriller,
appeared during the holiday season of 2010. ~ Steve Huey, Rovi